David Foster Wallace unedited interview (2003)
Why Hacker News recommends it
Used as a source for Wallace quotes on fiction, silence, self and technology rather than recommended outright.
What it is
The full unedited 2003 ZDF television interview with David Foster Wallace, running about an hour and a half. He talks about literature, boredom, silence, television and what stories do.
Recommended by 0 HN commenters across 0 different months, 2019 to 2024.
What Hacker News said
Cites undershirt · 2019-03 · on “Name It, and They Will Come”
He’s telling a story describing our situation that is hard to directly talk about. David Foster Wallace once said in an interview [1]: > Let me insert one thing, which I'll bet you've noticed from talking to writers—is that most of the stuff that we think we're writing about in books is very difficult to talk about straight out. You know, question and answer. In some sense, it probably can't be talked about directly, and that's why people make up stories about it. [1]: [this video]
Cites DyslexicAtheist · 2021-02 · on “Show HN: You-tldr – easy-to-read transcripts of Youtube videos”
At least the official version that is currently in Debian sid/unstable is having problems downloading vtt: apt-cache policy youtube-dl youtube-dl: Installed: 2021.01.08-1 Candidate: 2021.02.04.1-1 Combining youtube-dl with vtt2txt.py[1] would usually give me a transcript, however this no longer works for me (for now): $> youtube-dl --skip-download --convert-subs vtt [this video] $> find . -name "*.vtt" -exec python vtt2text.py {} \; [1] [LINK]
Cites psychomugs · 2021-07 · on “The Cultural Implications of Silence Around the World (2020)”
Cue DFW's rant on silence and Pulp Fiction's uncomfortable silence scene [1, 2]. The author mentions Japan but doesn't mention aizuchi, a constant backchanneling that signals attentiveness that I'd classify as the opposite of silent pontificating [3]. [1] [this video] [2] [LINK] [3] [LINK]
Cites ryandv · 2024-01 · on “We need technology that is less immersive, not more”
One day I want to expand on the idea that our digital avatars, our images and representations of ourselves, become an extension of our own self-concept, in the same way our keyboard becomes an extension of our hands and our body. Our social media profiles, our timelines, photos, and digital content, become part of our selves, and we begin to identify with these time capsules we've created of ourselves, to the point where we _are_ the person in the photo, we _are_ that person on Facebook. It's a fundamentally backwards-facing view of the self that relies on historical or past depictions of an individual in order to define their current self-concept. It implies an immutability, a static, uncha